![]() Ma question, celle à laquelle j’essaie de répondre, est : cette conversion, fût-elle virtuelle dans le roman change-t-elle fondamentalement les conséquences liées à la fictionnalisation de cette hypothèse ?ģ Patron, Sylvie. Novak-Lechevalier considère en effet que « le narrateur ne se convertit pas à la fin de Soumission il envisage la conversion et ses suites comme une (tentante) possibilité » (Novak-Lechevalier). Dans cette tribune, la vigueur avec laquelle elle défend l’idée de la conversion du narrateur rappelle Houellebecq se défendant contre les rumeurs de toute conversion de sa mère. Son omniprésence, en amont comme en aval de la vie de cette œuvre, contribue à valider l’hypothèse d’une double auctorialité, la sienne étant certes plus symbolique que juridique. ![]() Elle y est présentée comme « spécialiste de l’œuvre de Houellebecq », en même temps qu’est rappelée sa préface d’une anthologie de poésies de Houellebecq (Novak-Lechevalier). Paris, P.O.L, 2016.Ģ Deux mois exactement après la parution de Soumission, Novak-Lechevalier a publié une tribune dans Libération. Houellebecq, whose poetic use of stylistics itself is overtly based on Huysmans’ decadence and Schopenhauer’s pessimism, is analyzed as the frontrunner of a new utopian subgenre distinct from dystopia : the French counter-utopia.ġ Rolin, Jean. It is my hypothesis that Soumission (which inspired dozens of imitators) serves as a catalyst for this unprecedented counter-utopian wave, and deploys the poietics of Western decadence. I observe that current anxieties and uncertainties have given rise to a counter-utopian fiction portraying the future in France, through a spate of new works by Jean Rolin (novelist), 1 Jacques Attali (economist), Michel Wieviorka (sociologist), Michel Onfray (philosopher), to name a few. My article notes an enthusiasm among the greatest French writers and intellectuals, in the span of two years, for predictive literature. ![]() During this time, he became a journalist for Le Moniteur universel, then the editorship of influential review L'Artiste in 1856.From the shootings on the satirical magazine, Charlie Hebdo, to the Nice attacks on Bastille Day, France has experienced two “anni horribiles” (20). His prestige was confirmed by his role as director of Revue de Paris from 1851-1856. He was a celebrated abandonnée of the Romantic Ballet, writing several scenarios, the most famous of which is Giselle. He began writing poetry as early as 1826 but the majority of his life was spent as a contributor to various journals, mainly for La Presse, which also gave him the opportunity for foreign travel and meeting many influential contacts in high society and in the world of the arts, which inspired many of his writings including Voyage en Espagne (1843), Trésors d'Art de la Russie (1858), and Voyage en Russie (1867). In the 1830 Revolution, he chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. ![]() Pierre Jules Théophile Gautier was a French poet, dramatist, novelist, journalist, and literary critic. ![]()
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